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This is a summary of the Sandlab: Exploring Rotterdam’s Dependence on Sand, organised by Het Nieuwe Instituut on 1 August 2019.

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Sand is one of the five resources with the highest global demand being in the center stage of political, economic and ecological warfare. In the form of quartz and silica it is essential to the technological infrastructures shaping our everyday life; as cement and steel it acts as the literal building block of modernity; in the form of land mass it demarcates the poor and the rich—those who mine and export land and those who import and ‘recover’. In relation to its overall size, the Netherlands are the biggest sand transformer after Singapore.

In order to explore material transformations of a seemingly elusive material, we visited Rotterdam’s most prominent reclamation project, Maasvlakte 2. The harbour tour served as an introduction to sand as an interscalar vehicle as well as a critical reading of interspecies relationships in design (from object-oriented-feminism to questions of individuation). The aim of the workshop was to get an insight into the politics of human-material relationships in Rotterdam and understand how they might limit the becoming of both matter and humans by design choices made. Observations on the symbolic, economic and physical values of sand made during the tour and exhibition at FutureLand were collect and summarize in this report.

At the end of the day we gather in one of the compensation areas, a clean and beautiful 7.5 km long beach on the outskirts of Maasvlakte 2. The beach is segmented in “active areas” for sports and “leisure areas” for sun bathing. We are sitting in the midst of the sculpture ‘De Zandwacht’ by Dutch artist collective Observatorium, with kite surfers behind our backs and sand in our shoes. ‘De Zandwacht’ is a huge concrete structure that outlines a dune. The idea behind the sculpture is to simulate the growth of a dune. Over many years, drifting sand will depose on the structure and eventually create a dune, according to the idea of the artists. Emblematic for the approach that led to Maasvlakte 2 or a critique of dominating nature by design, we wonder? 

The structure attracts many visitors, children are climbing the pillars. The sand which is supposed to settle is moved around by unaccounted human behaviour. A dune will never form here. When modelling the process, someone forgot to take into account that it will be appropriated by its visitors. The sand probably doesn’t care.

Michaela Büsse

Michaela Büsse is a design researcher, editor and curator. In her ongoing PhD research at the Critical Media Lab in Basel, she analyses design through the lens of human-material entanglements. Along the planetary medium of sand, Michaela investigates how material transformations of a seemingly elusive material are shaped by infrastructures of power and in return affect human lives.